Printing Christmas cards is one of my favorite holiday traditions.
I decided to add figures to my cards this year so I had a great time doing field studies of people playing in the snow. It got me right into the spirit! I hope that it does for you too!
Linoleum Print 51/2" x 51/2"
I am honored 'Morning at the Grain Bins' received the first place award at the TAC Visual Arts Show 2014!
'Morning at the Grain Bins' was painted in plein air this summer. The location is a series of old grain elevators that reminds us of the recent past here in Teton Valley. The train used to go through this complex of buildings, moving grain to it's destination. The site hold tremendous history and incredible visuals. I will be back here to paint!
When painting 'Morning at the Grain Bins', my focus was on simplicity of composition and color relationships. The challenge is ever present and so satisfying when it works out! You can see the development of this painting through a series of images in the August 2, 2014 post on this blog.
Oil 11" x 14"
I am excited to announce that 'Cottonwood Stand' has been accepted into the 2015 Wyoming Governor's Exhibition!
As I drove by this scene, I was captivated by the colors that were in the shadows and was immediately drawn into the location. It was completed on site, en plein air.
‘Cottonwood Stand’ is painted in pastel. It is 21x22".
This little house in Mount Carmel screams to be painted in the morning light! The warmth that is reflected in the porch area is nothing short of striking. Between that and the shadows on the street in front, I was captured!
Reflected Warmth
I have spent the summer striving to keep on task with simplicity of subject and color relationships in order to clarify form to it's purest. This was a great subject matter for me to attempt.
The trees behind the house quickly defined the space and value scale for me - I was pleased.
Of all funny things, I had the most difficulty with the shaded area of the porch, wanting to redefine my drawing repeatedly... it took a fair bit of talking to myself to get it all figured out!
I am thrilled with the reflected light that I got on the porch and find that I am still drawn to that warmth... I think that is a good sign!
'Reflected Warmth' is painted in oil. It is 12x12".
I decided last minute to head off to Mount Carmel, Utah for the Maynard Dixon Country. I went as a spectator... but of course brought along paints!
The first couple of days I painted alone exploring the landscape and discovering where was the best place to be for morning and evening light. It was great to be on my own and searching out options.
Then, the weekend events started up. There were a number of well organized events including a gallery show, wet paint sale, social media discussion, dinner and campfire - all packed into a day and a half. The event was held on the grounds of Maynard Dixon's home and studio - both of historic and emotional significance. I met many incredibly skilled artists and collectors, learning while talking to them and enjoying their paintings. What an informative, social, relaxing and motivational experience!
I have special thanks in my heart for Susan and Paul Bingham who own the property and make everyone feel as if they were visiting them for the weekend. Also all of the artists that were so accommodating and fun... I will be back!
I have spent the summer working on simplification and color relationship... which keeps bringing me back to these grain bins. The forms are basic, yet their are a number of buildings together, giving me a lot of compositional options. The warm of the sun on the buildings vs the cool of the shadows is just too inviting for me to pass by!
You may be seeing more of these silos yet!
'Morning at the Grain Bins' is done in oil. It is 11" x 13".
This morning I woke to a dusting of snow all around us. It made me happy that I had been out painting in the field while the summer heat lasted.
I painted 'End of Summer' plein air one evening last week. Much to my delight, as I was painting, I heard a voice over my should asking me what I was doing. It was a 4th grade boy, Michael, on his bike cruisin' the neighborhood where I was painting. He spent an hour visiting with me while I painted. I was surprised how my focus stayed with me as we visited and I painted. A lot of our conversation was about painting and what I think about... I did a lot of thinking out loud...
At any rate, I felt that my color relationships worked well on this piece. It must have been Michael's input - when I explained that I was trying to mix the color of the light on the phone pole, he spoke up quickly...'Why, that is maple syrup, for sure.' By George... he was right! ;).
Life is full of unexpected treasures!
'End of Summer' is painted in oil. It is 12" x 12".
I can hardly believe that the week is already over. It was a time of a lot of field work, great camaraderie, too much sunshine and wonderful learning opportunities.
I had decided to challenge myself for the week and work only in oils. This ended up being a great goal for me. I enjoyed myself immensely and got into the rhythm quickly. All in all, I am pleased!
It was interesting for me to see how much crossover there was in my pastel and oil work. As you can see from previous blog entries, I stuck to my interest in a primary layer representing the temperature of the colors that I see prior to putting down the local color. I feel that in both mediums this helps to communicate to the viewer what it truly felt like to be there, which is what I strive for. I am hoping you feel the same.
Until the next post, enjoy this delightful summer weather!
The day brought our only morning with drizzle so the colors were not what I love... but the crowd was delightful! Fun, fun, fun!
The Wyoming Arts Council just sent out the latest artist roster... you Wyoming non-profits... jump on the bandwagon for state support with visual, performing and literary artist workshops!
http://wyoarts.state.wy.us/wac-artist/michele-farrier/
Alta
Phone | 307-699-0635 E-Mail | mzfarrier@gmail.com Website | www.michelezfarrier.com
Michele’s interest in plein air has been a joy for her. She is active and enjoys time out-of-doors observing for hours at a time. Her passion is evident in her many workshops and residencies. She taught K-12 art for Teton County School District for 19 years. She has a B.A. in Art from UC Davis and a K-12 Art Teaching Credential from CSU, Sacramento. Her work can be found at DeSelms Fine Art in Cheyenne, Guchiebird’s in Driggs, Idaho, the Wyoming State Collection and in the new Ivinson Hospital in Laramie.
Today was more difficult as the light kept changing. I did a lot of 'hurry up and waiting' as I had started with a clear sky. There is more I would like to do to complete this, but here it is... straight off the easel.
Once again there are 3 photos: sketch in oil, temperature layer and local color... sticking with the week's mantra of simplify, simplify, simplify!
GM Silo drawing with oil
GM Silo Temperature layer
GM Silo local color
After being gone for the Plein Air Convention, Whitney Museum residency and shows, I was completely overwhelmed with all of that GREEN in the landscape... befuddlement... so, BACK TO BASICS for me.
I have spent the last couple of weeks working on color relationship studies with the good old blocks! They are painted primary colors and are a great way to carefully examine one color in relationship to another... it feels great to refresh my mind of the obvious!
Ah, the challenges of plein air painting!
I had a great time playing with the temperatures reflecting off of the metal buildings on this warm but hazy day.
I had a wonderful time as a resident artist at the Buffalo Bill Center of the West Museum in Cody, Wyoming... how often does someone get to paint in front of a couple of large Rungius paintings?... Not to mention the paintings and sculptures of Russell, Remington and Bierstadt that surrounded me!
I learned a lot, felt tremendous support, met hundred of interesting people and managed to get a few paintings well on their way!
I am feeling so grateful for the opportunity!
I got one more pastel started before leaving for Cody. The light became flat, so I think I will take this piece up to the Buffalo Bill Museum and work on it during my residency. I would much rather work in the field, but the light changes so quickly this time of year that by the time I return, everything will look quite different.
I head off to Cody today and am very excited. I will be painting in the Buffalo Bill Museum and visiting with Yellowstone Park visitors for 15 days... I should have some great stories soon! Wish me luck!
Pastel Start is in vine charcoal. 18" x 18"
I am thrilled to announce that I have had two pieces juried into the 2014 Rail Art Show in Cheyenne, Wyoming.
As I have mentioned in earlier blog posts, I developed a keen interest in trains after visiting the pedestrian catwalk over the Green River, Wyoming train yard. The experience really captured my imagination!
I am inspired to do more paintings involving people in their work environments.
The show will be open from May 15 - Aug 1, 2014 at the Cheyenne Depot Museum in Cheyenne, Wyoming.
The Plein Air Conference in Monterey was super. I learned a lot from watching many artist work, met multiple old and new friends, enjoyed the incredible Monterey area and ate well.
I had problems with the humid climate and my pastels... but managed to get this study done before the fog moved in. The landscape is inspirational, no doubt.
What a fantastic opportunity. Now I am ready to get to work with a multitude of new ideas!
I feel honored to have two of my pieces hanging at the new Ivinson Hospital in Laramie, Wyoming. They were chosen for their sense of calm and vastness.
I am pleased!
One more reflection of my exciting day at the train yard in Green River...
I was enthralled with the visual temperature change as cloud shadows shifted throughout the hot afternoon. Different scenes were lit up, causing my imagination to sore.
The vastness of the landscape along with the magnitude of the train yard was awe inspiring.
What a great day of field studies!
I have forgotten how different studio work is compared to being in the field and working plein air. There is plenty of time for over thinking. Discipline is definitely called for. I have thoroughly enjoyed working on this piece. It has allowed me opportunity to recall the adventure of standing over these massive engines as they start their journey westward. As I mentioned on an earlier post, the catwalk over the Green River, Wyoming train yard is an experience to not miss.
I love the idea that this environment is status quo for these men. Whether they are heading to work or heading home, this is their familiar ground. What a diverse world we live in!
While waiting for the snow to stop so that I can get back out in the field, I may have to return to the subject of trains!
This piece is done with soft pastel on Wallis paper. It is 171/2"x23".